"I can't tell you what they were, but they were powerful. She knew how," said Mrs. Gereth. "To send them back—to keep it quiet." The girl had not felt the impulse to ask him to sit down among the monuments of his wrong, so that, nervously, awkwardly, he fidgeted about the room with his hands in his pockets and an effect of returning a little into possession through the formulation of his view. "To have them packed and dispatched again, since she knows so well how. She does it beautifully"—he looked close at two or three precious pieces. "What's sauce for the goose is sauce for the gander!"!

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Mrs. Gereth looked hard at her young friend, showing she saw she must believe her. "Then you're perverse, you're wicked. Will you swear he doesn't know?"

"Oh, if you speak the word!" the girl murmured very gravely, but happy at least to know that in this direction Mrs. Gereth confessed herself warned and helpless. Then she added: "How can I go on living with you on a footing of which I so deeply disapprove? Thinking as I do that you've despoiled him far more than is just or merciful—for if I expected you to take something, I didn't in the least expect you to take everything—how can I stay here without a sense that I'm backing you up in your cruelty and participating in your ill-gotten gains?" Fleda was determined that if she had the chill of her exposed and investigated state she would also have the convenience of it, and that if Mrs. Gereth popped in and out of the chamber of her soul she would at least return the freedom. "I shall quite hate, you know, in a day or two, every object that surrounds you—become blind to all the beauty and rarity that I formerly delighted in. Don't think me harsh; there's no use in my not being frank now. If I leave you, everything's at an end." "Oh, if you speak the word!" the girl murmured very gravely, but happy at least to know that in this direction Mrs. Gereth confessed herself warned and helpless. Then she added: "How can I go on living with you on a footing of which I so deeply disapprove? Thinking as I do that you've despoiled him far more than is just or merciful—for if I expected you to take something, I didn't in the least expect you to take everything—how can I stay here without a sense that I'm backing you up in your cruelty and participating in your ill-gotten gains?" Fleda was determined that if she had the chill of her exposed and investigated state she would also have the convenience of it, and that if Mrs. Gereth popped in and out of the chamber of her soul she would at least return the freedom. "I shall quite hate, you know, in a day or two, every object that surrounds you—become blind to all the beauty and rarity that I formerly delighted in. Don't think me harsh; there's no use in my not being frank now. If I leave you, everything's at an end." She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.